Published by Kodansha on 1980 (first published 1957)
Genres: Japanese literature, Classic
The beautiful, immature girl whom she took home to her husband was a maid only in name. Tomo's real mission had been to find him a mistress. Nor did her secret humiliation end there. The web that his insatiable lust spun about him soon trapped another young woman, and another ... and the relationships between the women thus caught were to form, over the years, a subtle, shifting pattern in which they all played a part.
So recently I read these two Japanese classics one after another, which frankly was a great decision! Both Fumiko Enchi (1905-1986) and Kanoko Okamoto (1889-1939) – the former more famous than the latter – were feminists and modern women in their time. Reading these two authors back to back was an interesting experience.
First, there was The Waiting Years. Last year I read Masks by Fumiko Enchi and wrote about her for January in Japan. My ultrashort review of Masks can be found here. Unfortunately that didn’t leave a very deep impression on me, so I didn’t expect to read anything else by Enchi. But The Waiting Years was the book club pick for the the Japanese Literature group on Goodreads so I decided to join in, and I’m so glad I did!
The Waiting Years was a very interesting and rather beautiful read. It describes life in the upper-class Shirakawa family in the late Meiji era. More specifically, it describes the lives and feelings of the women in the Shirakawa household. The women are central in this book. And while the Shirakawa household and everything about it is very traditional, and the women are forced into a position of submission, I think the way Enchi writes about them is surprisingly refreshing. The women have to endure a lot but the tone is never overly negative. The women are well rounded characters, developing throughout the novel, and they all deal with their situation in their own way.
Every aspect of this book focuses on the traditional, but Enchi gives it a (in my opinion) modern and feminist twist by not being afraid to point out unfairness through the voice of the characters. On the whole, the book was very nuanced. I don’t think it could have been written by anyone but a woman (at least, at the time it was written).
I also recommend checking out our book club discussion about the book here!
In early 20th-century Japan, the son of lower-class goldfish sellers falls in love with the beautiful daughter of his rich patron. After he is sent away to study the science of goldfish breeding, with strict orders to return and make his patron's fortune, he vows to devote his life to producing one ideal, perfect goldfish specimen to reflect his loved-one's beauty. This poignant and deft tale is presented along with the story of a pauper from Kyoto who teaches himself to be an accomplished chef.
Okamoto’s work is entirely different from Enchi’s. A Riot of Goldfish contains two novella’s where men are the main characters. Both A Riot of Goldfish and it’s companion The Food Demon are ‘small’ stories, they don’t have a real plot and they focus on just one specific theme.
In the first story, the adopted son of a goldfish breeder is completely enamoured by his classmate, the daughter of his rich patron. But she is out of his league, so instead he aims to create the perfect new breed of goldfish. And that despite the fact that he is really not all that interested in goldfish breeding.
In the second story we learn about Besshiro, his relationship with cooking food, and how he got to this point in his life.
Personally, I am a huge fan of these types of stories (is there a name for them?), that I only ever seem to encounter in Japanese literature. In this case, the first story was a bit too feverish for me, but I really enjoyed the second one. All in all, this thin book is a quick read and there’s no reason not to give it a try 😉